Nano Banana prompts for editing real photos

Turn this phone photo into a clean product packshot. Keep the tin exactly as it is: the same shape, brushed silver metal, olive-green cap and the embossed "MOX" letters. Remove everything else on the table. Place it on a seamless warm-white background with a soft, natural contact shadow under its base. Soft studio light from the upper left. Square format, the tin centred and filling about two-thirds of the height.

Using this photo as the exact reference for the tin, show it hanging in mid-air inside a loose, hand-knotted net of olive-green jute rope, the net gathered above the cap and tied off below the base in a thick knot with a frayed tassel hanging down. The rope wraps around the tin in open diamond shapes, its shadows falling softly across the metal. Keep the tin exactly as it is: the same shape, the ridged rings below the top, the brushed silver, the olive-green cap and the embossed "MOX" letters, unchanged and readable through the net. Background: a smooth, warm stone-coloured studio wall with nothing else in the frame. Palette: warm stone, brushed silver and dried olive green. Lighting: soft, large window light from the upper left, gentle falloff to the right, a faint shadow of the net on the wall behind. Photography: 85mm lens at tin height, the tin in the upper half with the knot and tassel below, vertical 4:5, everything sharp. Mood: calm, crafted, expensive. Post-processing: true-to-life colour, low contrast, fine grain, visible rope fibres and brushed metal.

Using this photo as the exact reference for the tin, show it sinking at a slight tilt into a pool of clear golden olive oil, about half of it below the surface. Under the surface the metal and the "MOX" letters are seen through the oil, warmed to amber and gently bent by refraction; above it, the ridged rings and the olive cap stay dry and crisp. A soft ring of ripples spreads out from the tin, with a few tiny air bubbles rising beside it. Keep the tin exactly as it is: the same shape, brushed silver, olive-green cap and embossed letters. Background: a warm cream wall that fades into soft shadow at the top. Palette: golden olive, amber, cream and brushed silver. Lighting: one warm light from behind and slightly above, glowing through the oil, a soft fill from the front so the letters stay readable, a bright highlight along the rim of each ring. Photography: 100mm macro lens just above the surface of the oil, looking slightly down, vertical 4:5, the tin centred, focus on the line where metal meets oil. Mood: rich, slow, sensory. Post-processing: warm natural colour, deep but clean shadows, fine grain, no glow.

Keep this image exactly as it is, the same composition, tin and props, and change only the lighting to warm evening lamplight from the right, with a soft glow along the edge of the tin and longer shadows.

Add a hand holding this tin from below at chest height: a relaxed adult hand with short natural nails and an oatmeal knit cuff. The tin is about the width of the palm. Keep the tin, its lettering and its colour exactly the same. Plain warm-grey background, soft daylight.

Show this same tin in a second colourway: the cap changes from olive green to deep terracotta. Keep the tin's shape, the brushed silver, the embossed "MOX" letters, the lighting and the background exactly the same.

Using the woman in this photo as the exact reference for her face, hair and features, show her sitting at a small marble table by a tall café window on a rainy afternoon, reading a worn paperback held in both hands, a half-finished cappuccino and a folded umbrella beside her. She wears a navy wool coat over a cream ribbed jumper and a thin gold chain. Rain streaks the glass behind her; the street outside is a soft blur of grey with the warm lights of a shop across the road. Keep her face, hairline, eye colour, skin tone and any freckles or marks exactly as in the photo, with real skin texture: fine pores, faint marks, no smoothing. Lighting: soft grey daylight from the window on her left, a warm glow from a pendant lamp above, gentle shadows under her cheekbones. Photography: 50mm lens at f/2, seated eye level from across the table, framed from the waist up, vertical 4:5, her eyes sharp, the window softly out of focus. Mood: quiet, absorbed, unposed. Post-processing: natural muted colour like a film photo, soft contrast, fine grain.

Show the same woman in the same café, with the same coat, jumper and light, now seen by a camera standing beside the table: a three-quarter angle from slightly above, as she lowers the book and looks up towards the window with a small half-smile, one hand resting on the cup. Raindrops on the glass in the foreground catch the light, softly out of focus. Keep her face, hair and outfit identical to the previous image. 85mm lens at f/2, vertical 4:5, focus on her eyes, natural skin texture.

Recreate this moment as if her friend took it on a phone from across the table: vertical 9:16, held a little low and slightly tilted, the friend's cappuccino blurred in the foreground, the rainy window behind her. She is laughing mid-sentence, looking just past the camera. Phone-camera look: wide lens, almost everything in focus, slightly lifted shadows, a little noise in the darker areas, a touch of glare from the window, no studio polish. Keep her face, hair and coat exactly the same.

Image 1 is the product, image 2 is the person and image 3 is the location. Show the person from image 2 sitting at the table in the location from image 3, pouring from the tin in image 1 into a small dish. Keep the tin's shape, colour and lettering exactly as in image 1 and the person's face as in image 2. Match the light to the window in image 3. 4:5 portrait, 35mm lens, natural colour.

Use image 2 only as a texture reference. Place the tin from image 1 on a tablecloth made of exactly this fabric, folded loosely, top-down view. Keep the tin unchanged. Soft overhead daylight.

Creative direction: a winter launch image for a small knitwear brand that people stop scrolling for. Art direction: a single pair of bright red hand-knitted mittens pegged to a thin washing line strung between two silver birch trees, over an empty snowy field, a light dusting of snow on the top of each mitten. Product material: chunky wool with visible stitches and a few loose fibres, frost crystals caught in the knit, plain wooden pegs, rough cotton line. Palette: tomato red, birch white and grey, snow white and a pale winter-blue sky. Lighting: low winter sun from the left, soft and golden, long blue shadows across the snow. Photography: 85mm lens at mitten height, the mittens in the centre, the birch trunks at both edges, the background softly out of focus, 4:5. Mood: crisp, quiet, warm against the cold. Post-processing: true natural colour, gentle contrast, fine grain, wool texture sharp.

Creative direction: a spring launch post for a florist, bold and graphic. Art direction: one enormous bunch of white ranunculus wrapped in newspaper, standing upright on its own in an empty zinc bucket in the middle of a pale pink seamless studio, cut stems and petals scattered in a neat circle on the floor around it. Product material: soft layered petals, a few slightly bruised, green stems with water droplets, crumpled newsprint. Palette: white, pale green, newsprint grey, zinc and blush pink. Lighting: soft daylight from a high window on the left, one long soft shadow across the floor. Photography: straight-on at bucket height, 50mm lens, 4:5, everything sharp. Mood: fresh, crisp, just arrived. Post-processing: true colour, gentle contrast, no glow.